Yoinkinline sample tool v1.2

Yoink is a vst effect best used for live performance. it has an inline sampler that you can grab samples from the current live effect channel. you can then trim the loop, reverse, and process with effects in realtime. the left joystick controls bitrate and pitch, while the right joystick controls delay time and delay feedback. the demo mp3 was a simple beat, processed in realtime. version 1.01 brings the new user interface, as well as some small bug fixes and optimizations.

Download from here.

(from www.tweakbench.com )

Classic Delay

The Classic Delay emulates three of the most commonly used delays / echo sounds types: Tape, Analog, and Digital, but without the introduction of noise. A quality control is included where the sound of the echo machine can be adjusted to give the preferred amount of “imperfection”. The delay can be synchronised to the host, and the feedback can be reversed to give a ping-pong effect.
Features
Tape-, Analog- and Digital Delay sound
Ping-pong delay
Quality control
Filters
Presets
Ultra low CPU usage
Supports sampling rates up to 96kHz
Full VST automation
Tips
1. The tape delay type gives you the sound of echo being degraded slightly each time it is fed-back and re-recorded. You can adjust the quality control for the amount of flutter and distortion introduced.
2. The analog delay type has a very "dark" sound due to the low sampling rate and sharp filters used to save analog memory. The "darkness" of the sound can be adjusted via the quality control, which emulates the changing of the sample rate.
3. The digital delay can be adjusted from bright and clean on the highest quality setting, to a “darker” and more noisy / distorted sound if the quality setting is set low. This enables you to emulate the sound of older digital delays with less bit depth and a lower sample rate.

Download from here.

(from www.kjaerhusaudio.com)

Glitch One last release: 1.3.04

Glitch is a VST plugin effect for Windows-based systems running a VST 2.3 compatible host.
Glitch chops up your audio in real-time and applies a variety of effects which can either be chosen at random, manually sequenced, or a mixture of both. The sounds it generates range from quite subtle to extremely bizarre, depending on how much you tweak the controls.

It’s got 9 different effects that you can sequence however and trigger whenever you like. I liken it to a virtual version Korg’s Kaos Pad.

Fix: it shuts off some modulations and increases sensitivity to input, it also changes the Mix slider action.

Gating: it turns on gating by input, so with no input Glitch One is muted.

Tuning: it tunes the main oscillator.

Rate: speed of the main LFO.

Random: variation amount on Rate.

Mix: If "fix" off : it balances noises cycles (left) with tone cycles (right), If "fix" on : it adjusts the amount of pitch modulation

Timbre: FM amount.

Stereo Offset: delay time offset on channel 1, depends on Delay Time setting.

Delay Time: from 0 to about 3 seconds.

Feedback: with low times and high feedback you get almost a comb filter, don't push it to the very max.

Volume: output level of the synth.

Dry: output level of the input signal.

Download from here.

( from http://illformed.org/glitch/ )

Iblit synthesizer.

Iblit is a monophonic VST 2.3 compatible software synthesizer for PC.The oscillator waveforms are generated using BLITs (Band Limited Impulse Train)which gives oscillators with very low aliasing.


Features

• 3 oscillators



• Pulse and Sawtooth waveforms



• Noise generator



• Transpose ±24 semitones



• Fine Tune ±50 cent



• Pulse Width Modulation



• Individual Pitch Bend range for each oscillator



• Portamento



• 24dB/octave LP/HP filter



• Two LFOs



• Two ADSR envelope generators



• Midi automation and Midi learn

Download from here.

( from www.bostreammail.net )

Bionic Delay version 1.2

This enhanced version of the Analogic Delay gives you separate control over the delay times on left and right channel. suitable for ping pong delays and drifting delays.

-Tape model including tape saturation, wow, flutter, low and high pass filtering
- Separate control of delay time for left and right channel
- The delay time is not entered in milliseconds but as a notelength (in relation to the song tempo in your sequencer). The Groove parameter allows fine tuning from tripplet to dotted note timing.
- "Drift" parameter gives you the possibility to create delays wandering to the left or to right in the stereo field
- press the "Ping Pong" button to create delays alternating between left and right speaker.
- parameter "Smooth" creates continuous delay time changes like on a real tape delay (no digital clicks when changing delay time during the song)
- parameter "Stereo Width" varies stereo effect from subtle to drastic
- all parameters are controllable by midi controllers.
- pop-up hints help to understand the function of each control on the user interface. These appear when the mouse rests over a control.
- Also the assignement of midi controllers is documented in the pop-up hints

Bionic Delay was used by Coldcut on their album "Sound Mirrors"Coldcut's Jonathan More says: "Bionic Delay is great for that King Tubby feel."

Download from here.

(from www.interruptor.ch)

Classic Flanger

Take a trip back to the mid 80's with our Classic Flanger. It will give you that subtle or massive swirling effect that is used mainly for guitar, but can be used for many other instruments as well. Due to a tightly controlled feedback path, it is possible to boost the flanging effect to maximum without getting unwanted side effects.
Features
Smooth Flanger effects
Stereo spread
Host Synchronization
Presets
Ultra low CPU usage
Supports sampling rates up to 96kHz
Full VST automation
Tips
1. When feedback is set at a high level, the output can become very dynamic. In that case, just use our Classic Compressor or Classic Master Limiter after the Classic Flanger to control the dynamics.
2. Don't settle with the flanger only on your guitar. We have had great results using the Classic Flanger on everything from strings to drums. Try it on all your tracks to see what it can do for you. You might be surprised!

Download from here

(from www.kjaerhusaudio.com)

Synt AM TB-30X 2.0

Nice TB-303 kinda (so not really authentic at all!) plug with subosc and overdrive for that Phat Bassline. Works in most VST hosts like Cubase, FL, Project 5, Aodix and others.

Version 2 now online after user requests for extra features.

New features are:

Midichannel Selector

Mono/Poly Selector

Bend Range Selector

Panorama

New Cool Interface

Download from here.

(From Angular Momentum)

Retro Delay

Retro Delay is a flexible allround delay effect in VST format.It has the character and sound of a vintage delay unit but features many modern options.Besides delays, it can produce a wide range of modulation, chorus, flanger and phaser effects.

Features:
Independent left and right channel delay lines
BPM synced or manual times (up to 6 seconds)
Forwards or backwards delays
X-feedback
Ping-pong delays
'1 feedback pass', there will always be 1 feedback
Optional negative feedback for phaser/flanger effects
Optional short delay times for phaser/flanger effects
Integrated automatic limiter
2 BPM synced LFO's 1 modulates filter cutoff, the other the delay time (only available for forwards delay)
4 LFO modes, sine, triangle, ramp, envelope follower
LFO, left/right channel inverse options
24dB/oct resonant filter placed in the feedback path
Switchable lowpass, bandpass, highpass, lowshelf and highshelf mode.
Saturation
Saturate and limit parameters
2 different types
Old-school spring reverb
Size, color and mix parameters
Optional mono mode
Fade out option, when using high feedback setings
Fade out time parameter
Pitchbend wheel, for smooth delay time changes

Download from here.

(From www.e-phonic.com )

Voxengo Audio Delay, another great tool for free!!

Audio Delay is an auxiliary plug-in which allows you to delay stereo audio for a specified amount of milliseconds. Delay can be separately specified for each channel. Plug-in also features output level gain parameter for eachchannel.

In order to setup this product you will need to download its corresponding setup archive to the computer you are planning to use this product on. After download is complete you should unpack ZIP file you have downloaded into VstPlugins folder - the one which is connected with audio application you use and where this application expects VST plug-ins to reside (it is also suggested to create 'Voxengo' subfolder there, and unpack archive there instead of the main VstPlugins folder). After this has been done you will need to order your audio application to rescan plug-ins, or if that option is unavailable you will need to re-start this application.

Download from here.

(From Voxengo)

Complete VST package from MDA

These free plug-ins are designed to work with Cubase VST and other VST compatible applications such as Logic Audio and Peak on the Mac, WaveLab and FruityLoops on the PC and many others.
To install, simply unzip the files into your \VSTPlugins folder, or follow the instructions of the host application. It is safe to overwrite older versions of mda plug-ins, but the sound or operation may be slightly different in some cases - keep a backup copy of old versions if you think this may cause a problem when going back to old material.
You may find it useful to move some into a different folder for off-line storage, or change some of the filenames as this affects the title and sort order in some hosts

This is plugin list:

Bandisto - Multi-band distortion
BeatBox - Drum replacer
Combo - Amp & speaker simulator
De-ess - High frequency dynamics processor
Degrade - Sample quality reduction
Delay - Simple stereo delay with feedback tone control
Detune - Simple up/down pitch shifting thickener
Dither - Range of dither types including noise shaping
DubDelay - Delay with feedback saturation and time/pitch modulation
Dynamics - Compressor / Limiter / Gate
Envelope - Envelope follower / VCA
Image - Stereo image adjustment and M-S matrix
Leslie - Rotary speaker simulator
Limiter - Opto-electronic style limiter
Loudness - Equal loudness contours for bass EQ and mix correction
Multiband - Multi-band compressor with M-S processing modes
Overdrive - Soft distortion
Re-Psycho! - Drum loop pitch changer
RezFilter - Resonant filter with LFO and envelope follower
Round Panner - 3D panner
Shepard - Continuously rising/falling tone generator
Splitter - Frequency / level crossover for setting up dynamic processing
Stereo Simulator - Haas delay and comb filtering
Sub-Bass Synthesizer - Several low frequency enhancement methods
Talkbox - High resolution vocoder
TestTone - Signal generator with pink and white noise, impulses and sweeps
Thru-Zero Flanger - Classic tape-flanging simulation
Tracker - Pitch tracking oscillator, or pitch tracking EQ
Vocoder - Switchable 8 or 16 band vocoder
VocInput - Pitch tracking oscillator for generating vocoder carrier input

Download from here.

(From http://mda.smartelectronix.com/)

Classic Chorus

Classic Chorus is a great sounding and easy to use classical Chorus VST plugin. Nice Plugin for adding Depth, Fatness and Stereo perspective to almost any Electrical Instruments or Vocal.
Features
Smooth Chorus effects
Stereo spread
Presets
Ultra low CPU usage
Supports sampling rates up to 96kHz
Full VST automation
Tips
1. Make an old mono Rhodes track come alive with the factory preset "Fat on Rhodes", or make your vocal tracks sound better by creating a stereo doubling effect using the preset "Vocal Overdub". Many more great presets are available for fattening up your instruments!
2. Use it for a good vibrato effect.

Download Classic Chorus v1.28

(From kjaerhusaudio.com)

Mutagene 2WarpDelay

2WarpDelay pairs two warped-lattice IIR filters with a pair of delay lines and a bitmap which it scans to extract filter coefficients.

A stereo signal is fed through two delay lines followed by a warped IIR lattice filter. The lattice filter can be of any order from 1 to 80 and uses reflection coefficients extracted from an image. This output is fed through a saturation stage and a ducking / limiting stage before being fed back, again, into the delay lines. The lattice filter is warped, and by adjusting the warping parameter its frequency response can be easily adjusted.

Resonance controls the distance between spectral peaks and spectral valleys in the filter transfer function, and cutoff controls the cutoff of a first-order low pass filter that follows the lattice filter.

Download from here.

(Listed at KVR Audio.com)